garden

blue

red

HOW to LIVE (II)

What was Giordano Bruno's last words? And unlike Galileo, he not only didn't fear torture and death, but his last words on the subject —literally his last words on the subject, (spoken to his tormentors just after they had sentenced him)— were defiant: "Perhaps you who pronounce my sentence are in greater fear than I who receive it."

the CORIOLIS effect

The coriolis force isn't a physical force like a push or pull. The effect is based on the observers perspective. A physical force is not acting on the object to make it go off course; rather the movement of the mind and the movement of matter create the coriolis effect. It is more than an illusion. If you do not take it into account while piloting you're going to crash.

BURRO KING

"What do these two kings want in my domain?" said Zarathustra in astonishment to his heart, and hid himself hastily behind a thicket. When however the kings approached to him, he said half-aloud, like one speaking only to himself: "Strange! Strange! How doth this harmonise? Two kings do I see - and only one ass." (Nietzsche, TSZ)



APOLLONIAN CURRENT (AC)

Apollo certainly presents a pattern that is disastrous, destructive for psychological life, cut off from everything that has to do with feminine ways, whether Cassandra or Creusa or Daphne - whomever he touches goes wrong - so that you have the feeling that Apollo simply doesn't belong where there is psyche. (JH)

SECRET SHAM

Odysseus ordered a large wooden horse to be built. Its insides were to be hollow so that soldiers could hide within it. Once the statue had been built the Greek warriors, along with Odysseus, climbed inside. The rest of the Greek fleet sailed away, so as to deceive the Trojans. Only two people, Laocoon and Cassandra, spoke out against the horse, but they were ignored.

CUTTING THE SKY

Gaia created a great scythe. When Uranus met with Gaia, Cronus attacked him with the sickle castrating him and casting his testicles into the sea. From the blood and semen that spilled out from Uranus and fell upon the earth, the Gigantes, Erinyes, and Meliae were produced. Cronus learned from Gaia and Uranus that he was destined to be overcome by his own sons, just as he had overthrown his father.

TOTIPOTENCY

Starfish can re-grow limbs because they have totipotent cells. Their body can regenerate any cell that the body needs. Starfish sometimes get their limbs torn off by predators. Starfish blastomeres are reported to be totipotent up to the 8-cell stage. Totipotency is the ability of a single cell to divide and produce all of the differentiated cells in an organism.

ERECHTHEUS

Erechtheus was born from the corn land and raised by the goddess Athena, who established him in her temple at Athens. In later times only a great snake was thought to share the temple with Athena, and there is evidence that Erechtheus was or became a snake; that is, an earth or ancestor spirit. Erechtheus is destroyed by Poseidon or by a thunderbolt from Zeus.

orange & brown Songs

gondola song (2:49)
demiurge's laugh (3:58)
omniform beauty (3:28)
friend (5:01)


the VIRTUOUS


Ah! how ineptly cometh the word "virtue" out of their mouth! And when they say: "I am just," it always soundeth like: "I am just--revenged!"

With their virtues they want to scratch out the eyes of their enemies; and they elevate themselves only that they may lower others. And again there are those who sit in their swamp, and speak thus from among the bulrushes: "Virtue--that is to sit quietly in the swamp.

"We bite no one, and go out of the way of him who would bite; and in all matters we have the opinion that is given us."


And again there are those who love attitudes, and think that virtue is a sort of attitude. Their knees continually adore, and their hands are eulogies of virtue, but their heart knoweth naught thereof. And again there are those who regard it as virtue to say: "Virtue is necessary"; but after all they believe only that policemen are necessary. And many a one who cannot see men's loftiness, calleth it virtue to see their baseness far too well: thus calleth he his evil eye virtue.-- And some want to be edified and raised up, and call it virtue: and others want to be cast down,--and likewise call it virtue. And thus do almost all think that they participate in virtue; and at least every one claimeth to be an authority on "good" and "evil." But Zarathustra came not to say unto all those liars and fools: "What do YE know of virtue! What COULD ye know of virtue!"-- But that ye, my friends, might become weary of the old words which ye have learned from the fools and liars: That ye might become weary of the words "reward," "retribution," "punishment," "righteous vengeance."-- That ye might become weary of saying: "That an action is good is because it is unselfish."


Ah! my friends! That YOUR very Self be in your action, as the mother is in the child: let that be YOUR formula of virtue! Verily, I have taken from you a hundred formulae and your virtue's favourite playthings; and now ye upbraid me, as children upbraid.


They played by the sea--then came there a wave and swept their playthings into the deep: and now do they cry. But the same wave shall bring them new playthings, and spread before them new speckled shells! Thus will they be comforted; and like them shall ye also, my friends, have your comforting--and new speckled shells!-- Thus spake Zarathustra."

(Friedrich Nietzsche, TSZ)

 


Blue & Gray Songs

the future (2:35)
sugarman (4:52)
fourteen years (4:39)
solitary man (2:36)


a NEGATIVE PRINCIPLE


"Starting from a principle is affirmed by people of experience to be a very reasonable procedure; I am willing to humour them, and so begin with the principle that all men are bores. Surely no one will prove himself so great a bore as to contradict me on this. This principle possesses the quality of being in the highest degree repellant, an essential requirement in the case of negative principles, which are in the last analysis the principles of all motion. It is not merely repellant, but infinitely forbidding; and whoever has this principle back of him cannot but receive an infinite impetus forward, to help him make new discoveries. For if my principle is true, one need only consider how ruinous boredom is for humanity, and by properly adjusting the intensity of one's concentration upon this fundamental truth, attain any desired degree of momentum. Should one wish to attain the maximum momentum, even to the point of almost endangering the driving power, one need only say to oneself: Boredom is the root of all evil. Strange that boredom, in itself so staid and stolid, should have such power to set in motion. The influence it exerts is altogether magical, expect that it is not the influence of attraction, but of repulsion. In the case of children, the ruinous character of boredom is universally acknowledged. Children are always well-behaved as long as they are enjoying themselves. This is true in the strictest sense; for if they sometimes become unruly in their play, it is because they are already beginning to be bored - boredom is already approaching, though from a different direction. In choosing a governess, one therefore takes into account not only her sobriety, her faithfulness, and her competence, but also her aesthetic qualifications for amusing the children; and there would be no hesitancy in dismissing a governess who was lacking in this respect, even if she had all the other desirable virtues. Here then the principle is clearly acknowledged; but so strange is the way of the world, so pervasive the influence of habit and boredom, that this is practically the only case in which the science of aesthetics receives its just dues.

If one were to ask for a divorce because his wife was tiresome, or demand the abdication of a king because he was boring to look at, or the banishment of a preacher because he was terribly tiresome, one would find it impossible to force it through. What wonder, then, that the world goes from bad to worse, and that its evils increase more and more, as boredom increases, and boredom is the root of all evil."
(Soren Kierkegaard, Either/Or)